The Benefactor
The museum was closed for the night, its vast Neoclassical façade gleaming under the sodium haze of streetlamps. Inside, the hush was total—a cloistered silence broken only by the slow, uneven echo of footsteps and the sharp tap of a cane on marble. “Watch the floor,” came the gravel-edged voice of Mr. Cecil Braddock, longtime curator of the Royal Museum of Antiquities. “These flagstones predate your last merger, I suspect, and I’ll not have them cracked by careless shoes or perfume-soaked loafers.” The benefactor in question—a tall, silver-haired man named Edmund Lyle—offered a mild smile. He was no stranger to Braddock’s bark, but tonight it carried more vinegar than usual. After all, the curator had not volunteered to give this tour. He had been goaded into it by the Director herself, who’d reminded him of the funding shortfall in the new acquisitions wing and of Lyle’s considerable pockets. That it involved a midnight walk-through with “an industrialist and his boy sec...